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SubscriptionsGo to the Subscriptions Centre to manage your:My ProfileThis February, the CRTC is holding a public hearing on its New Media Exemption rule a decision that dates back to 1999, when people still said “New Media”.They’ve asked for input from key players, and around 150 various stakeholders haveAmong them is Google, which is “the New Media Exemption is the best regulatory approach to keeping the Internet awesome.” What a Googly thing to say!Google goes on to argue that CanCon is doing just fine on the Internet without the CRTC’s help, thanks very much. I am an old broadcaster who has worked in the media for five decades and who sees such moves as just another variance on “Nationalistic Jingoism” that has no viable place in an increasingly Global village . I have been overjoyed with the advent of the ‘Net’ and the freeing up of access to information and entertainment that is not ‘State Approved/Regulated’.The CRTC has a place in Canadian society as a regulatory body but its powers should be kept in check and applied only in the logically defined areas of the public good.Posted: 2008/12/17 at 10:11 PMI worked in radio for many years, mostly in Canada, but also in the Caribbean for a year.
The original IXO concept had quite a range of instruments; we’ll probably now only have one or two. We’ll lose some possibilities, but in terms of the core observations making spectra and images I think we are going to have an enormous boost compared to what we can do at the moment. I’m quite bullish.”.
“I was one of them myself. I had a calf injury that meant I couldn’t really do myself justice and play as well as I had done earlier in the tournament. So, we were not only playing with 10 men after Jonas Thern was sent off, but we were also playing with injured players and, looking back on that now, maybe myself or one or two others shouldn’t have played at all..
TV ads are built on one simple idea: If you buy X, you’ll get Y. But Y is rarely the product itself. Rather, it’s a positive emotion, a perfect relationship, higher social status or an amazing experience. The comeback single Fire With Fire is a brash, chart seeking missile of a tune: opening as a piano ballad, it soon builds into a sweeping, air punching, lyrically nonsensical anthem which shares a lot of musical DNA with The Killers Human (Stuart Price produced both). Imagine U2 on amyl nitrate and you halfway there.The vaguely spiritual lyrics and FM gloss of the single turn out to be red herrings, however. Elsewhere, the album bustles with double entendres (in Jake Shears world, guns are always suggestively shooting and apples being grabbed) backed by squelching, rutting, frivolous disco.